ltd warehouse found! vinyl only, both tracks by sascha dive on minimood016 are destined to transfix those who like richly immersive dub techno. mind melting opener vibrating sphere has wooden hits and drum loops that rock back on themselves to keep on pulling you in. spoken word rastafarian vocals add dubauthenticity and gentle sprinkles of toms add drive to the chords. deliciously deepthroughout, yet grooving irresistibly, this cut achieves a lot from a little. on the flip-side, the perfectly crafted gravity is a smooth rolling track with classic dubchords that echo to infinity. well-treated vocals melt into the mix and the whole thing quickly casts its spell on you and keeps you there for the hugely absorbing and atmospheric duration
strap yourself in and take 4 mind-blowing hits of viers! bass to break skin and torrents of drums flow through the bloodstream. synth stabs up the spine. hi-nrg surges within. straight-to-the-face warehouse sonics with techno vertigo to elevate your heart rate. you can expect withdrawals.
repress 2019 - as the title suggests, there are many ways to jack and this ep makes no pretense about its intentions. dmx krew treat us to a wild concoction of tracks for the fourth instalment of the now firing on all cylinders, super rhythm trax label. the music here veers between grimy basement acid trax, uk bleep inspired future warehouse anthems and even an ultra cheeky ragga style rendition of lil louis classic -original video clash-. ed dmx is obviously having fun here and with 5 tracks and a loud cut, you re getting bang for your buck !! now leave me alone to jack.
a four-track acid ep by veteran producer warlock, out on kalbata s brush & broom label. ex-amount of jaw-grind action from the london underground legend. violent rays and swearings are both straight-up warehouse workouts, comfortably placed next to reflective after-hour gushers run dc and cave tone. once again, warlock demonstrates stunning crisp production, touched by old-school heritage, dating back to pre-94 legislation times. essential.
7 track ep/mini album by l/f/d/ms richard smith dream bleeds overflows with body jerking industrial, raw acid/techno, and hints of the warehouse sound of the late 90s and the caustic spirit of ebm. richard smith says about dream bleeds, attaching meaning to songs is often arbitrary but when the visceral feeling of music, particularly instrumental body music, is laid bare, the interaction is immediate and physical. these tracks thread together each starting point completely open, each new step informed by the last. i find it interesting that the process is the same but the outcome somewhat unexpected shaped by emotion, inspiration or even constraints of time, they evolve as they do in that time. they reach a different end point due to that evolution of circumstance.
minimood extra s forthcoming release is a vinyl only, red 12- affair that features two novel reworks of dub techno wizard david hausdorf s legendary salo release space walk . germany s david hausdorf has been turning out expertly crafted deep techno since the late nineties. he did so on labels like synaptic waves as well as styrax leaves, and in 2002 served up his classic space warehouse found! last copies ever.. walk on the epic berlin based imprint salo. first up is the 2015 version. it is a ten minute piece of heady, hypnotic techno with soft rubber drums, gently propulsive percussion and icy high-hats that add a real sense of scale and depth to the track. with slick boom- bap bite in the claps and hits, this is the sort of expertly reduced track that will lock dance floors in for hours. then comes the 2015 reshape, which again makes full use of its 10 minute length. there is a little more edgy reverb in this one, the drums are more upright and the pads are a little more rippling and rolling. it s a liquid groove as a result, and one that is near faultless for the way it rolls on and on without any friction.
beware of global worming! heat intensifies as the global worms creep in the label roster, dropping witty warehouse wreckers. flirting with acid, dj w.e.b and steve marie decide to kick off 2019 fiercely as they appear on phi for their first time. accompanied by vid vai and evano on the flip side, their tracks have a high potential of evoking strong rave nostalgia.
secret circuits eddie ruscha and rub n tugs thomas bullock joined forces as laughing light of plenty for an ep back in 2008, and followed it up with an album on whatever we want records in 2010 which largely got lost in a warehouse stock malfunction. now emotional response are doing the right thing and giving the record a second airing under the duos alternative alias the naturals, and it s not hard to see why they wanted to do the reissue. loose and funky, but also deliriously psychedelic and indebted to the 1970s golden era of songwriting, this is a quintessential emotional record if ever we heard one.
(ltd warehouse find) - limited edition picture disc featuring the classic bronski beat hit ‘smalltown boy’. includes remixes of ‘smalltown boy’ and ‘why?’ previously unavailable on vinyl.
limited repress! ittara and tm shuffle (together with the remixers rasmus hedlund and shuffless) bring you a varied 4-tracker of dub-flavoured techno. anthem alert!
the second release on oflynn s hundred flowers label comes from up and coming artist soundbwoy killah - and follows on from his sold-out releases on sneaker social club and warehouse rave. the a-side burning was a highlight of mall grabs most recent boiler room and is a straight up breaks banger destined for dancefloors. whilst the b side moving on takes on the same formula, in that it too is a stone cold banger.
shout out to my barrys da mix, leon, vonnett, james, tilde, jamie k, edem, mr2, fugee, 88.2 crew, leon at music house, loxy, mike p, logos, parris, mickey pearce, scratcha, all the silent listeners and all the bedroom ravers. run out groove etching im oldskool like stratford rex, i’m oldskool like templ
shedbug from australia is kicking off our newest release on deeptrax. four trax for the heads and for the floor. screaming acid with deep rhythms full of mesmerizing chords like these old detroit warehouse vibes meeting ultra dope bouncin beats going into dreamy breaks. all captured in sonic waves from this melbourne salt mine bloke on a heavy mythical mental mission.
in the late 80s i started listening to uk radio stations when i was a little kid and i instantly fell in love with the acid sound and rave movement that was portrayed on those uk dance shows. when i got old enough to attend clubs and warehouse raves, to experience the movement first hand, it was a nobrainer for me that the music and the lifestyle was my call. lately…. in my dj sets and when producing music… i have been time travelling back to those days. back to how i remember the music i fell so deeply in love with and that is exactly what you hear on this “done/undone” release. for the “done” track i teamed up with cari golden to have a female spoken word and a great message to build the music around. i always prefer to do original vocal recordings rather than using samples. cari understood 100% what i was after and i love the lyrics and execution by her. the spoken word is centered, very clear and deep to contrast the constantly building intensity of the acid patterns and thumping beats. “undone” is instrumental and has a more straight forward flow to it. it’s quite simple although the shifting groove patterns might surprise some. i was torn between two different acid patterns and decided to drop one of them as a surprise change. playing the track in clubs i quickly learned that the change of dynamics had a great effect. both tracks have been wrapped in dark-themed chords and atmosphere. both tracks have my take on the sound i fell in love with years ago and obviously still love today. i hope you like what you hear.
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